{"id":1496,"date":"2019-07-31T09:36:20","date_gmt":"2019-07-31T09:36:20","guid":{"rendered":"http:\/\/obradoreditorial.com\/?p=1496"},"modified":"2024-02-13T12:51:12","modified_gmt":"2024-02-13T11:51:12","slug":"el-festi-i-lobsessio-pel-cigne-blanc","status":"publish","type":"post","link":"https:\/\/obradoreditorial.com\/ca\/el-festi-i-lobsessio-pel-cigne-blanc\/","title":{"rendered":"\u00abEl fest\u00ed\u00bb i l&#8217;obsessi\u00f3 pel cigne blanc"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-full wp-image-1425 alignleft lazyload\" data-src=\"https:\/\/obradoreditorial.com\/wp-content\/uploads\/2019\/07\/portada_elfestin.jpg\" alt=\"\" width=\"198\" height=\"300\" data-srcset=\"https:\/\/obradoreditorial.com\/wp-content\/uploads\/2019\/07\/portada_elfestin-198x300.jpg 198w, https:\/\/obradoreditorial.com\/wp-content\/uploads\/2019\/07\/portada_elfestin-200x303.jpg 200w, https:\/\/obradoreditorial.com\/wp-content\/uploads\/2019\/07\/portada_elfestin.jpg 393w\" data-sizes=\"(max-width: 198px) 100vw, 198px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 198px; --smush-placeholder-aspect-ratio: 198\/300;\" \/>Marina\u00a0Pintor, amb la seva primera novel\u00b7la, obre les portes de les obsessions fent que ens submergim en elles i en la seva foscor a trav\u00e9s d&#8217;una narraci\u00f3 h\u00e0bilment desestructurada, en un estil indirecte lliure (sense di\u00e0legs, per\u00f2 molt dialogada) i amb un ritme tan compassadament descompassat com el de la ment del seu protagonista.<\/p>\n<p>En \u201cEl Fest\u00ed\u201d,\u00a0Nora\u00a0es retroba amb Cl\u00e0udia, una talentosa ballarina a la qual va con\u00e8ixer de nena, quan aquesta perd la salut de manera dr\u00e0stica. La relaci\u00f3 ambigua que es forja entre les dues noies, cuidadora i malalta, \u00e9s el nucli d&#8217;aquesta hist\u00f2ria en qu\u00e8 la vulnerabilitat i la delicadesa contrasten amb el pervers i el macabre. Prenent com a punt de partida un motiu medieval cl\u00e0ssic, \u201cEl fest\u00ed\u201d \u00e9s una novel\u00b7la sobre el desig i els seus mecanismes i manifestacions m\u00e9s fosques.<\/p>\n<p><em>\u00abEl fest\u00ed\u00bb \u00e9s una novel\u00b7la tan ben escrita que fins i tot d\u00f3na enveja\u00a0<\/em><\/p>\n<p>Carlos\u00a0L\u00faria\u00a0\u00e9s escriptor, cr\u00edtic literari i professor de narrativa i, aix\u00ed i tot, t\u00e9 enveja de Marina Pintor, la jove escriptora que acaba de publicar amb Obrador editorial la seva primera novel\u00b7la \u201cEl fest\u00ed\u201d. En un una entrada en el seu compte Instagram, el periodista va afirmar despr\u00e9s de llegir la novel\u00b7la de Pintor:<\/p>\n<p><em>El fest\u00ed \u00e9s una novel\u00b7la magn\u00edfica, potent, original i tan ben escrita que fins i tot d\u00f3na enveja. La seva autora, Marina Pintor, t\u00e9 un\u00a0gran talent i donar\u00e0 molt\u00edssim que parlar en els pr\u00f2xims anys.<\/em><\/p>\n<p>No nom\u00e9s celebrem el seu comentari, clar, sin\u00f3 que, tamb\u00e9, ens sumem al seu sentiment al m\u00e9s pur estil\u00a0shakespeari\u00e0. No hem estat capa\u00e7os d&#8217;escriure \u201cEl fest\u00ed\u201d, per\u00f2 com a m\u00ednim, tenim la sort d&#8217;haver-la llegit i, en el nostre cas, publicar-la.<\/p>\n<p>El fest\u00edn<\/p>\n<p>Marina Pintor<\/p>\n<p>116 p\u00e1ginas<\/p>\n<p>ISBN: 978-84-949334-7-9<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marina\u00a0Pintor, amb la seva primera novel\u00b7la, obre les portes de les obsessions fent que ens submergim en elles i en la seva foscor a trav\u00e9s d&#8217;una narraci\u00f3 h\u00e0bilment desestructurada, en un estil indirecte lliure (sense di\u00e0legs, per\u00f2 molt dialogada) i amb un ritme tan compassadament descompassat com el de la ment del seu protagonista. En <a href=\"https:\/\/obradoreditorial.com\/ca\/el-festi-i-lobsessio-pel-cigne-blanc\/\">Seguir leyendo<\/a><\/p>\n","protected":false},"author":1,"featured_media":1656,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-ca"],"_links":{"self":[{"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/posts\/1496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/comments?post=1496"}],"version-history":[{"count":2,"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/posts\/1496\/revisions"}],"predecessor-version":[{"id":1834,"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/posts\/1496\/revisions\/1834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/media\/1656"}],"wp:attachment":[{"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/media?parent=1496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/categories?post=1496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/obradoreditorial.com\/ca\/wp-json\/wp\/v2\/tags?post=1496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}